“At the end of Keating’s prime-ministership, he was talking about embracing complexity and multiculturalism, and the difficulties there. Howard’s masterstroke was to come in and say: “I want Australians to be comfortable about their past, their present and their future.” Which is to say, “we’re not going to talk about this anymore.” And I feel like, since that period, we have not had a robust national conversation. Where is the cultural discourse about any of this stuff? We’ve had the apology, great; but that is not the end. Kevin Rudd’s apology should have been the beginning of this, kind of, great evolution in the way Australians see themselves. But I think that’s failed.”
– Mark Wilson
“I would characterise the Australian experience as, unfortunately, having to reflect a majority, and a popular view – more than art is required to in other cultures.”
– Marcel Dorney
In episode four of Audio Stage, our studio is full. We have gathered some of our favourite people, to talk about what it means to work in contemporary Australian theatre, and operate without history. Fleur is away for a wedding (luckily, not hers!), but the magic of technology, and Kieran’s amazing production skills, keep her present. Meanwhile, Jana is joined in the studio by: Marcel Dorney, Artistic Director of Melbourne independent theatre collective Elbow Room Productions; John Kachoyan, Co-Artistic Director of MKA: Theatre of New Writing; and Mark Wilson, independent theatre-maker and dramaturg.