CHRYSA PARKINSON / THE VALUE OF DANCE AS PRACTICE

“I think that equality comes with assymetry and that it’s not necessary for roles to be symmetrical for there to be equality.”
– Chrysa Parkinson

In the first episode of season three, Angela and Jana speak to Chrysa Parkinson on the creativity of the dancer: the work of dance, the authorship of the dancer, and whether excessive praise is how we pay artists in lieu of a living wage.

After many years in New York, working with Tere O’Connor Dance among others, Chrysa Parkinson now lives in Brussels. In Europe, she performed initially with Thomas Hauert and David Zambrano, and later with Boris Charmatz, Rosas/Anne Teresa De Keersmaeker, Jonathan Burrows, Mette Ingvartsen, Phillip Gehmacher, Eszter Salomon, John Jasperse, Deborah Hay, Meg Stuart. She is an esteemed pedagogue, teaching annually at PARTS, and currently serving as Director of the New Performative Practices MFA program at DOCH/Uniarts in Stockholm.

Chrysa Parkinson would say that her current practice is performance.

“I don’t really like the idea that there’s ‘the body’. I don’t know what ‘the body’ is: there’s this body, my body, your body… there’s no ‘the body’ disenfranchised from its psyche and its context. It doesn’t really exist.”
– Chrysa Parkinson